You're the all-knowing sans you there is nothing. Uselessly I utter 'I' you are the ubiquitous
Getting tangled in worldly life, ignorant they become. Those who constantly utter 'I', don't understand what they are You're the only God none is your partner. You're the master of the world The word 'I' is an absolute lie Without the one, second is me nothing more I can see. ?Tumi ke ar ami ba ke, tai to ami bujhina re?
Thinking about where Allah will keep him, he cries. Thinking about it, Hason Raja doesn't build any house How many more days can I stay in the mirror-made house?Īll my hair turned white looking at the mirror I can see. ?Loke bole bole re ghorbari bala na amar?īuilding a strong house, how long can I stay in? None is ready to traverse the virtuous pathĪll I see is the dithering over 'yes or no'.īrahmins, slayers, shoemakers and tanners ?Jat gelo jat gelo bole eki ajob karkhana? ShirajShaisays:"Come on Lalon this is a trap laid by that thief." Which way it goes out and comes in hoodwinking my eyes? I don't know how to get rid of this shame I couldn't recognize the domesticated bird It'll fly off one day throwing dust in my eyes. Following is an assortment of the English translation of the songs of the five mesmerizing Bauls. When the time is for a return to the roots and when there is a craving for building the nation and preparing the people with the best wealth of our tradition, the songs of the mesmeric mystics have become more relevant and necessary today. The heroes of the renaissance of Bengal observed 'the equality of all people' from the point of view of bourgeoisie humanism, imported from the West, while Lalon-Hason-Radharomon-Shah Abdul Karim and Jalauddinkha, the Baul poets of the larger section of rural commoners, took the 'lesson of humanism' from all the secular ideas of traditional Bengal. Mystical Baul songs are the quintessential elements of the folk tradition. Bangla culture and folk culture are synonymous.
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